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I Remember You is just excruciating – precisely the sort of rent-a-ballad that all hard rockers were required to make by law in the late 80’s^ which I’m pretty sure was directly responsible for grunge blowing them all away for a while.
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On the B-side is a live version of ‘Youth Gone Wild’ which is okay, apart from a lengthy rant about (the usual**) people who want to tell you how to live your life, which is really just a bit of an excuse to get a crowd to shout ‘Fuck You!’ over and over again – I used to think that was brilliant, now I just tend to think ‘well those interfering sons-of-bitches may have had a point Sebastian’ and turned the sound down so as not to alarm the nice couple next door. I have to say here though that Sebastian Bach really did have a hell of a set of lungs on him, the vocal on this track is excellent. the track is another one of their best actually sort-of a ballad, sort-of not because it was about accidentally shooting your friend rather than losing your girl to a man with a bigger pickup truck. The B-side, a live version of ‘Rattlesnake Shake’, is an eminently forgettable version of one of the poorer LP tracks.ġ8 and Life, my first ever promo (God I was excited about that!) came in a black sleeve with a date (22.01.90, since you ask) in the centre – how exciting. Yup – yesterdays’ youth done gone wild on the bread and cheese and is now running wild trying to shed a bit. I find this song just captures dumb testosterone-fuelled rebellion perfectly, the guitar sound is just brilliant, the shouty bits hit home and overall it just makes me a) happy b) jog faster. I mean what’s not to love about a guitar-shaped record? nothing, that’s what! To be honest even if all this record contained was Scotti Hill and Rachel Bolan farting and wolf-whistling along to ‘Calling Occupants of Interplanetary Craft’ then this would still be one of my favourite teenage rock artefacts. I span them all last night and the results were mixed.įirst up, Youth Gone Wild – This is just brilliant.
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They were a lot of fun live, a young band really getting a glimpse of their own brilliance.Īnyway, I own three Skid Row records, a 12″ promo of 18 and Life, a guitar-shaped picture disc of Youth Gone Wild and a clear vinyl 10″ of I Remember You – yup, I never quite got around to getting Skid Row (or the even better Slave to the Grind). I saw them in Bristol in 1989* and they were far heavier live, Sebastian Bach seemed enormously tall and spent most of the show spouting off brash Americanisms of the, ‘Fuck you business man’ variety and twirling his long microphone lead around and around, letting it loop around his neck.
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They were brash and mean and so were their good songs – about a third of the first LP was a bit run-of-the-mill but the others hit hard. Now I was wrong about Skid Row they were a good band, most glam/hard rock bands of the period were pop bands who upped the guitars to hit the minimum-rock threshold, Skid Row came on like a proper metal band who were toning it down to make the charts. What I wasn’t used to was rockers who actually looked like good looking women, now I’m not saying Sebastian Bach was ever a cause of sexual confusion to the adolescent 1537, but well, you know he was, umm, hot, sort of – look, I don’t want to talk about it !! Now by 1989 a good third of the records I bought were made by dudes who looked like ladies, I was well used to all the pouting, preening pretty boy singers centre right and the solid-looking drummer at the back who was clearly worrying about what his pa would say to him when he caught sight of him wearing lacy fingerless gloves. I was never wrong about bands and this lot clearly sucked – I mean they had a dude who seemingly had to chain his nose to his ear and a singer who was a dead ringer for Natassia Kinski. In 1989 there was a seemingly unstoppable tide of flash new American bands, a fair proportion of whom seemed to have links to Bon Jovi, so forgive my yawns when Skid Row released their debut LP. You get 19 highly-collectible hard rockin’ 1537 bonus points if you can sing the next minute and a half of the song without cheating. Never played by the rules I never really cared Since I was born they couldn’t hold me downĪnother misfit kid, another burned-out town